As a distraction from running around our re-enactment campsites and shouting a lot, I have developed a game for our youngsters whereby they can sit still and shout a lot.
This is a “wargame”, but is intended to represent more closely the way that we represent battles as re-enactors rather than actual war.
The original game was designed for use on a card table with a grid of 12 x 12 2” squares, but for portability, last weekend it was played on a cheap cork notice board ruled into 11 x 7 squares.
First the location of the two trees on the field are diced for. Each player rolls 2D6 for the position left-right and 1D6 for the position forward from their base line of one tree. Trees represent barriers to movement and shooting.
Next each player dices for their army. The armies in my game were constructed from four boxes of 30 Years War plastic figures found at a previous “muster”: one of cavalry, one of artillery and one each of the infantry for each side. I added three cannon from an Airfix Waterloo French set.
The full selection of available troops for each side is:
3 guns, each with 2 crew.,
3 pairs of cavalry,
2 groups of 3 pikemen and an officer,
7 groups of 4 musketeers or dragoons,
The General, with a drummer, ensign with flag and one pikeman.
Each player dices for his army of 12 units:
General is mandatory.
Artillery: 1,2 = 1 gun, 3,4 = 2 guns, 5,6 = 3 guns,
Cavalry: 1,2 = 1 pair, 3,4 = 2 pairs, 5,6 = 3 pairs.
Pike: 1,2 = no pike, 3,4 = 1 x 4 pike, 5,6 = 2 x 4 pike.
The rest of the army, to make up to 12 units/bases (hereinafter called “bases”), is made up of musketeers.
Because there is a maximum of 7 musket bases, if the Artillery/Cavalry/Pike contingent is less than 4 bases combined, then the shortfall is diced for:
1,2 = 1 gun, 3,4 = 1 pair cavalry, 5,6 = 4 pike.
The armies are now deployed on the first two rows of the board, from each player’s perspective.
Next first player is diced for, higher die becoming first player.
The turn sequence is:
General issues movement orders to any bases adjacent to his square (including diagonals).
Units ordered to move do so, according to their capabilities,
Any unit with a valid target may shoot. Cannon, 6 squares, muskets 3 squares, cavalry 2 squares (to the right only).
Hand to hand combat. Any base with an enemy adjacent to the front must attack. Cavalry roll 2 dice per figure, infantry and artillery 1 die per figure.
Having now witnessed several games I have spotted hidden subtleties not intended in the original design. For example:
With the 11 x 7 board it is possible to launch a cavalry attack in the first turn that will wipe out the enemy in their sector but will leave the cavalry isolated without command. (The “Prince Rupert” effect).
Two guns side-by-side in the centre as a battery may preclude the enemy General from moving across the line of fire to give orders.
Any unit on the back row of the field has a 1/6 chance on average of being forced off the field by any enemy action.
One should always keep a sacrificial unit between the enemy and the General.
The above is a summary of the complete rules, the current version of which I am happy to supply on application to email@example.com.
Battle results for last weekend:
Archie (aged 9): 6-4, 6-1, 6-3, 1-6, 5-6.
Casualties inflicted: 24, Losses 20. 3 won, 2 lost.
Paul (me) (aged 64): 4-6, 1-6, 6-1, 1,6.
Casualties inflicted: 12, Losses 19. 1 won, 3 lost.
Graham (Archie’s dad): 3-6, 2-3**
Casualties inflicted: 5, Losses 9. 0 won, 2 lost.
Steve (Cavalry commander): 6-5, 3-2, 6-1
Casualties inflicted: 15, Losses 8. 3 won, 0 lost
** General retreated from the field. Game conceded.
So Steve is best and Archie is in line for CO when Steve retires.
First – a counterblast
All the pre-publicity for the series “Weekend Warriors” on the British TV channel “Yesterday” indicated that it would be looking at the history of various periods as portrayed by reenactors. As the transmission neared the publicity became more focused on personalities.
In the end the first episode was somewhat disjointed, hopping from history to preparation to personalities at random.
While it did not – unlike some TV programmes – portray the reenactors as sad nutters rather than people with a hobby and a serious interest in what they portray to the public, I don’t think the overall result was as good as it could have been.
I was surprised to learn that the Fairfax Battalia (Devereux’, Fox’s, Overton’s and Walton’s Regiments) apparently now apparently appoint their officers by hereditary succession rather than democracy or ability (with no insult intended to those portrayed – you may be the best for the job, but it was not shown that way). This seems to go directly against the motto on the T-shirt sported by the Roundhead Association Lord General “Jus Divininus Culus Meus”, the latin that I was asked by his predecessor to provide for a personal standard. (Divine Right My Arse).
I look forward to the next episode: Wellington’s forces in Spain. This is a period in which I am also involved in as a reenactor but normally on the other side.
I was at the Marlborough event. During Sunday morning I watched seemingly endless attacks by the Marquess of Winchester’s Regiment against a cadre of the Fairfax Battalia, mainly semi-retired Devereux’ as far as I could see.
Winchester’s were also hosting and organising the event, so all credit to them for devoting the time to take on the extra work.
After the battle display on Sunday I was present for the filming of the cavalry action in my rôle as cavalry ground support in case of problems with the horses. Having been involved in several TV filming sessions as a reenactor it was interesting to be with the team behind the camera for a change.
The filming was taking place after the public event finished. The hired horses were due back at the horse lines the other side of town within 30 minutes. Some of the interaction is reported here:
Director: “Did you not get my message that the horses were required at one o’clock?
Cavalry Commander: “Yes. Did you not get my message that it was not possible? The horses were hired for two battle displays. We can’t overwork them and the timing was impossible.”
Director: “When the musketeers fire, I want you to wheel about and retire.”
Filming starts, three musketeers fire, six cavalry wheel about and retire.
Director: “Where are they going? – they’ve moved out of shot!”
Me: “They have wheeled about as ordered. That’s how it’s done.”
Director: I have people moving caravans in the background – can you ask them to stop?”
Me: “Some of these people have to get to the other end of the country and have work in the morning. No.”
The whole set up is moved to the right 20 paces.
Director: “Is that better? Is there anyone packing up in shot?
Cameraman; “No, but all I can see in the background is F***ing blue toilets!”
The whole set up is moved to the left 10 paces.
It is decided that the cavalry will turn individually on the spot and retire.
The cavalry commander has advised that the return of the horses is now overdue and there is one more chance before they leave.
Director: “Why are the horses so far apart – can they close up?
Me: If they close up they can’t turn as you want. If they turn on the spot they need at least a half-horse length each. And if you don’t film it now you will have no horses at all.”
At last the shot is taken, and as far as I can see, cut from the final transmission.